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2024 6.0分 剧情片
  电影《侵犯》于2025年3月12日在韩国院线上映。该片曾入围2024年第29届釜山国际电影节“韩国电影的今日-全景”单元并获得好评。少女时代成员权俞利细腻地塑造了影片中金敏的角色,展现出与歌手时期截然不同的面貌  ···  单亲妈妈英恩(郭善英 饰)独自抚养行为怪异的7岁女儿素贤(奇素宥 饰)。为了阻止女儿的危险行为,她竭尽全力、孤军奋战,可女儿素贤逐渐难以控制,英恩的日常生活正一步步走向崩..
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女儿的女儿
2024 5.0分 剧情片
  耳顺之年活得悠然自得的金艾霞(张艾嘉 饰),突被通知在纽约做人工生殖的小女儿(刘奕儿 饰)车祸身亡。在处理后事、对成功胚胎的去留做出抉择的同时,她将面对当年出生即被送养的大女儿Emma(林嘉欣 饰)。做决定的时刻;她,抑或她们,会如何选择?
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失忆杀人
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域
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辰巳
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裏稼業で働く孤独なヤクザの辰巳は、ある日元恋人・京子の殺害現場に遭遇する。 一緒にいた京子の妹・葵とともに命からがら逃げる辰巳だったが、最愛の家族を失い、復讐を誓う葵は京子殺害の犯人を追う。 葵に振り...
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海的沉默
2024 7.0分 剧情片
  在世界级画家田村修三(石坂 饰)的展览会上发生了一件大事。发现其中一幅展示作品是赝品。画这幅画的到底是谁?连日来,报道不断升温,北海道小樽发现一具女尸。在这两起事件之间出现的男人。他就是曾经被称为新锐天才画家,却因为某个事件而从人们面前消失的津山龙次(本木 饰)。  曾经的龙次的恋人,现在田村的妻子·安奈(小泉 饰)前往小樽。原以为再也不会见面的龙次与安奈重逢,长年侍奉龙次的神秘人费克塞·水..
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《芳心封鎖》剧情介绍

影视大全提供影视作品芳心封鎖高清全集在线观看的影视全集网,剧情片《芳心封鎖》全集作品的导演是Gilberto  Tofano   ,由Gila  Almagor  主演,芳心封鎖在豆瓣的评分为10.0,本片由小编于2024-12-03 11:56更新,希望大家喜欢,可以把《芳心封鎖》推荐给你朋友,本作品的地址为 https://www.545s.com/s/index/95112.html

《芳心封鎖》简介:

  The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
  Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
  "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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